A nativity scene in Evanston, Illinois, has ignited significant backlash after featuring Baby Jesus in handcuffs, an image meant to evoke the U.S. migration policy under the Trump Administration. The display, which includes the Virgin Mary wearing a tear-gas mask, has been described by church leaders as a powerful commentary on contemporary issues surrounding immigration.
The Lake Street Baptist Church introduced this provocative installation as part of its Christmas display. Associate minister Jillian Westerfield explained that the church sought to reimagine the nativity story by connecting it to the harsh realities facing migrant families today. “If Jesus were born in the United States right now, what would his manger look like?” she asked, emphasizing the parallels between the biblical narrative and the plight of modern-day migrants fleeing violence.
Challenging Traditional Imagery
The nativity scene starkly contrasts with traditional Christmas depictions. In this version, Mary and Joseph are shown wearing protective masks, symbolizing their need for safety in a climate of fear, while Baby Jesus is bound and wrapped in aluminum foil, akin to the emergency blankets used in immigration detention facilities. Nearby, figures in green vests labeled “ICE” stand guard, further intensifying the scene’s commentary on immigration enforcement.
According to Westerfield, the goal was to illustrate the reality of forced family separations, drawing from the biblical account of the Holy Family fleeing to Egypt to escape King Herod’s persecution. She highlighted specific incidents of immigration raids in the Chicago area, known as the “Midwest Blitz,” which have resulted in widespread fear and trauma within immigrant communities.
Public Response and Controversy
The church’s provocative message has elicited a range of reactions. Some community members have expressed outrage, labeling the display as “heresy” and “blasphemous.” In one incident, a person removed the mask from Mary and the zip ties from Baby Jesus, prompting the church to restore the installation. Critics argue that the imagery is offensive, while supporters contend that it challenges viewers to confront uncomfortable truths about immigration policies.
Despite the backlash, Westerfield maintains that the intent is not political but rather a moral one. “The mistreatment of immigrants has dragged on for many decades,” she stated, urging the public to reflect on the real suffering experienced by many families.
Reverend Michael Woolf, the church’s head, hopes that the nativity scene will foster discussion and action regarding the treatment of migrant families. He noted that these families often face separation, detention, and dehumanization, and he encourages people of all faiths to engage in meaningful dialogue about these issues.
The church, which identifies as a sanctuary for undocumented immigrants, has previously created nativity scenes with controversial themes. In 2023, a display depicted Baby Jesus surrounded by rubble, alluding to civilians affected by the Gaza war.
As the installation continues to provoke debate, it raises important questions about the intersection of faith, morality, and contemporary social issues, urging communities to reflect on their values and actions in the face of ongoing immigration challenges.
