In the debut feature film, Sad Girlz (original title: Chicas Tristes), director Fernanda Tovar explores the complex themes of consent and friendship through the lives of two 16-year-old girls, Paula and La Maestra, who are the top swimmers representing Mexico at the upcoming Junior Pan American Swimming Championships. The film, which has its world premiere on February 14, 2024, at the Berlin International Film Festival, delves into the emotional turmoil that arises when a pivotal moment at a party forces the characters to confront their relationship and the meaning of consent.
The film’s narrative begins during a seemingly normal night out. At a party filled with music and youthful energy, Paula finds herself alone with Daniel, a close friend and long-time crush. As the night progresses, their flirtation leads them to a bathroom, igniting a series of events that will challenge the girls’ friendship. The synopsis reveals that following this incident, La Maestra begins to sense a shift in their dynamic, prompting both girls to grapple with their experiences and the implications of their actions.
Tovar, known for her short films such as My Age, Yours and The Fire We’ve Built, noted that her vision for Sad Girlz was influenced by her own experiences of womanhood, particularly the pervasive sadness she observed in female narratives. She reflects, “I thought women were sad in general… I never knew why exactly that was. I guess Sad Girlz both shows and hides that reason.”
The Creative Process and On-Screen Chemistry
The chemistry between the lead actresses, Rocio Guzmán as La Maestra and Darana Álvarez as Paula, plays a crucial role in the film. Tovar described a pivotal moment during their casting when the pair performed an improvisation that was so compelling, it was integrated into the final cut. “They had the right amount of both complicity and confrontation, which was needed,” Tovar explained.
Throughout the rehearsal process, Tovar emphasized building trust among the cast. She participated in exercises designed to foster vulnerability, encouraging the actresses to engage in activities such as extended eye contact and physical touch. “What surprised me the most was discovering how much they know about life. They were the ones explaining things to me,” she noted.
In addition to the female leads, the male cast members also displayed an impressive level of sensitivity. During rehearsals, they instinctively sensed something was amiss with Paula’s character, demonstrating a depth of understanding that contributed to the film’s authenticity.
Swimming as a Metaphor for Vulnerability
Choosing swimming as the central sport for the characters was a deliberate decision by Tovar. She articulated that swimming uniquely embodies vulnerability, requiring athletes to undress and compete in swimsuits. This aspect of the sport serves as a metaphor for the girls’ emotional journeys, raising questions about their personal space and aspirations in the context of gender dynamics. “So many conversations around gender violence sideline important, core needs,” Tovar remarked. “I felt swimming gave some vulnerability to the film and to the characters.”
As the film unfolds, Paula and La Maestra seek answers, turning to modern technology for guidance, including AI tools and tarot cards. Tovar cautioned against relying solely on technology for human connection, stating, “AI and technology may be able to answer questions… but there is no human empathy and no warmth.” She emphasized her goal of illustrating the essential human aspects of life, especially during moments of confusion.
With its poignant themes and relatable characters, Sad Girlz is poised to resonate with audiences. The film’s exploration of friendship and consent amidst the trials of adolescence offers a fresh perspective on issues that are increasingly relevant in today’s society. The anticipation surrounding its premiere at the Berlin International Film Festival highlights the film’s potential impact within the global cinematic landscape.
