The film industry has faced a challenging year in 2025, with numerous releases drawing harsh criticism from reviewers. From unnecessary remakes to poorly executed narratives, several films have been labelled as standout disappointments. Notably, critics have compiled a list of the year’s worst films, highlighting their flaws and the lack of engagement they offered audiences.
Critics Slam Major Releases
Among the films deemed most disappointing is Saturday Night, directed by Jason Reitman. Critics describe it as burdened by “unbearable self-indulgence.” Peter Bradshaw noted that even devoted fans of the iconic television show “Saturday Night Live” may struggle to appreciate this exhausting cinematic effort.
Another high-profile release, Snow White, has also come under fire. Critics argue that this live-action musical adaptation fails to offer anything new or engaging. Instead, it appears to prioritize brand preservation over creative storytelling. Bradshaw commented on the film’s approach, describing it as a “pointless” reimagining that lacks the playful twist many modern adaptations have embraced.
The opening gala of the Cannes Film Festival is often a gamble, and this year’s entry, Partir un Jour, was no exception. Critics panned it as a “listless and supercilious musical” that lacked heart, calling it an experience akin to watching a “hedgehog run over by an 18-wheeler.” Such harsh reactions underline the high stakes and expectations associated with festival premieres.
More Disappointments in 2025
The film Alpha has also been criticized for its heavy-handed storytelling and lack of originality. Reviewers find its attempts at emotional resonance unpersuasive, with every scene feeling redundant. Bradshaw’s remarks emphasize the film’s failure to engage audiences, stating that it is “bafflingly overwrought and humourless.”
In a stark comparison, High Rollers, starring John Travolta, has been labeled a “cheap knockoff” of the beloved Ocean’s Eleven. Leslie Felperin expressed that it lacks charm and is marked by “staggering stupidity.” The film’s ineptitude has become a source of unintended amusement for viewers.
Further compounding the year’s cinematic disappointments is Jungle Trouble, which features a lead character deemed irritating by critics. Catherine Bray described the film as a poorly assembled collection of clichés, lacking the creativity found in superior animations.
The film Jay Kelly, featuring George Clooney, has also been criticized for its sentimental approach. Bradshaw noted that Clooney’s performance resembles a man grappling with a dire situation, highlighting the film’s lack of authenticity.
Moreover, The Boatyard has faced allegations of pointlessness and poor craftsmanship. Reviewers remarked on its lack of wit and empathy, calling the acting “atrocious” and difficult to endure.
Despite the star power of actors like Sylvester Stallone, Mel Gibson, and Jon Voight in Mission Alarum, the film has been described as a shameful representation of American cinema. Critics expressed confusion over the plot and the actors’ roles, leading to an overall negative reception.
Lastly, the sci-fi sequel Tron: Ares has been criticized for its lack of substance. Bradshaw describes it as “more of a screensaver than an actual film,” indicating a complete absence of drama or intrigue.
As the year progresses, these films serve as a reminder of the high expectations audiences place on cinema. The critiques highlight the necessity for creativity and authenticity in filmmaking, emphasizing that even well-known titles can falter when they fail to innovate or engage.
