The new film Aryan Papers, directed by Danny Patrick, has drawn significant criticism following its release on digital platforms on January 26, 2024. Set during World War II, the film attempts to address the harrowing realities of the Holocaust but ultimately falls short in execution, leading to widespread disappointment among audiences and critics alike.
This film should not be confused with the unrealized project of a similar name that Stanley Kubrick once contemplated, based on Louis Begley’s novel, “Wartime Lies.” That project has recently garnered renewed interest, with director Luca Guadagnino reportedly seeking to develop it. In contrast, Patrick’s Aryan Papers centers on the Nazi-era Lebensborn programme, which aimed to breed Aryan children by pairing young women with Nazi officers.
Set near Stuttgart in 1942, the film follows Gisella, portrayed by Celia Learmonth. Her character attempts to smuggle two Jewish youth, Benjamin and Judith, played by Jacob Ogle and Niamh Ogle, respectively, across the border to safety. The narrative, however, is marred by disjointed editing and a lack of coherent storytelling, leaving viewers struggling to grasp the timeline and character motivations.
The film’s production suffers from significant flaws, including a script that appears hasty and poorly developed. Critics have noted the presence of modern elements, such as a plastic wheelie bin visible in several scenes, which detracts from the historical authenticity intended by the filmmakers. Additionally, the casting choices have raised eyebrows, with performances described as under-rehearsed and lacking emotional depth.
One of the more prominent antagonists in the film, Helga, is portrayed by Leona Clarke and Cara Chase, who delivers a performance that some viewers have found particularly jarring due to its melodramatic nature. The film’s overall tone has been criticized for its lack of sensitivity towards the Holocaust, with some reviewers expressing that it trivializes the serious subject matter it seeks to engage with.
Despite the evident sincerity of the cast and crew, the final product has been labeled as a disservice to the memory of Holocaust victims. Its ambitious attempt to tackle such a weighty topic has instead resulted in a production that many hope will fade from public consciousness quickly.
As Aryan Papers makes its digital debut, it stands as a reminder of the complexities involved in portraying historically significant events in film. While the intentions may be earnest, the execution leaves much to be desired, ultimately raising questions about the responsibility filmmakers bear when addressing sensitive historical narratives.
