At the 83rd Annual Golden Globe Awards, actress Justine Lupe captivated audiences with her striking appearance in a sheer, powder pink gown designed by Giorgio Armani Privé. The dress, which closely matched her skin tone, featured a pleated crinoline silhouette adorned with embroidered crystal drops, embodying a fresh perspective on the popular “naked dress” trend.
Elegant Details Stand Out
The strapless design of Lupe’s gown blended effortlessly with her frame, revealing a daring yet refined aesthetic. Her stylist, Rebecca Ramsey, successfully combined the gown’s sheer elements with a softness evident in its tiered ruffles and delicate embellishments. This balance of intrigue and sweetness set Lupe apart on the red carpet.
Complementing her gown, Lupe chose modest yet playful accessories. Her angelic drop earrings featured small hummingbirds, with stones that echoed the hues of her dress. These earrings, along with glittering rings from Boucheron, added a touch of whimsy to her overall look. She finished her ensemble with simple satin pointed-toe pumps, also in a matching color.
Beauty in Simplicity
In keeping with the theme of elegance, Lupe opted for a minimalistic beauty routine. She embraced a no-makeup makeup look, accentuating her features with a pinky-nude lip and soft, piece-y waves parted down the middle. This understated approach highlighted her natural beauty and complemented the gown’s delicate design.
Just a week prior, at the Critics Choice Awards, Lupe showcased a different style in an aqua-colored gown from Prada, featuring a high neckline and embellished necktie. This week, she shifted to a monochromatic palette with her nude Armani gown, demonstrating her versatility and keen fashion sense.
Lupe currently stars as Morgan in the acclaimed series Nobody Wants This, which is nominated for Best Television Series – Musical or Comedy at this year’s Golden Globes. Her standout fashion choices have not only made headlines but also reflected her evolving style as she navigates the entertainment industry.
