A recent roundtable discussion featuring prominent European filmmakers addressed the intricate relationship between cinema, trauma, and politics. Held on January 16, 2023, at DW’s studios in Berlin, the event included directors Joachim Trier, Oliver Laxe, Mascha Schilinski, and Jafar Panahi, whose films have sparked considerable debate this award season.
Each filmmaker brought a unique perspective shaped by their backgrounds and experiences. Joachim Trier shared how his family legacy influenced his path to directing. Coming from a lineage of filmmakers, including a grandfather who was a resistance fighter during World War II, Trier explained how his upbringing on film sets guided him toward cinema. His latest work, Sentimental Value, explores themes of familial connection and reconciliation through the lens of a filmmaker attempting to bond with his estranged daughters.
Conversely, Mascha Schilinski took a different route. She recounted her turbulent school years and eventual decision to pursue film due to familial ties in the industry. Her film, Sound of Falling, delves into a century of German history from a feminine perspective, highlighting the often-overlooked stories of women and intergenerational trauma. Initially not political in intent, Schilinski found that her research unveiled significant, yet neglected narratives, ultimately leading her film to take on a political dimension.
Meanwhile, Oliver Laxe described his entry into filmmaking as a natural progression from a childhood fascination with images. He emphasized that the act of choosing what to shoot is inherently a political statement. His film, Sirât, a surreal Spanish road movie, carries themes of collective healing and human connection, showcasing how cinema can transcend individual experiences.
The discussion inevitably turned to Jafar Panahi, whose work is deeply intertwined with the political climate of Iran. Panahi expressed his dismay over the recent government crackdown on protests, stating, “The repression has always been there in Iran after the revolution.” He noted the alarming escalation of violence against citizens, highlighting the urgent need for artistic expression in times of crisis.
The filmmakers collectively pondered whether cinema itself is a political act. Laxe asserted that choosing what to film is a political choice, arguing that poetry within cinema can elevate societal consciousness. Panahi distinguished his approach, suggesting that his films are more socially engaged, portraying the complexities of human nature rather than purely ideological narratives.
Schilinski’s focus on untold stories of trauma resonated with the group. She emphasized that while her film’s intention was not initially political, the historical context revealed that women’s experiences had been marginalized. As the filmmakers shared their thoughts, a common theme emerged: the importance of storytelling in capturing human experiences, particularly those shaped by trauma.
As the conversation progressed, Trier reflected on the impacts of war and trauma across generations. He questioned how historical events continue to influence the lives of subsequent generations, drawing parallels between his own family history and the characters in his film. This introspection highlighted the nuanced relationship between personal experiences and broader societal narratives.
The filmmakers also examined the role of cinema in creating a shared experience. Panahi, who recently had the opportunity to screen his work at the Cannes Film Festival after years of restrictions, described the joy of watching a film with an audience as an essential part of the filmmaking process. He expressed how different cultures perceive humor and tragedy in cinema, noting that audience reactions can vary widely across regions.
The roundtable concluded with a discussion on the challenges and opportunities of navigating the current awards season. Trier articulated the significance of sharing their films on a global stage, emphasizing the privilege of having their work recognized and discussed. The filmmakers expressed gratitude for the platform provided by international film festivals, acknowledging that these experiences deepen their understanding of their own narratives.
In a world increasingly influenced by digital platforms, the directors underscored the importance of maintaining traditional cinema experiences. They acknowledged the contributions of streaming services while advocating for the preservation of theatrical releases as vital spaces for communal viewing and emotional connection.
As filmmakers, Trier, Laxe, Schilinski, and Panahi continue to explore the intersections of art and society, their commitment to sharing important stories remains evident. Through their work, they invite audiences to engage with the complexities of human experience, trauma, and the enduring power of cinema.
